It is clear that Frederick Forsyth is one of the most capable writers of the international thriller. Using a craftsman style of writing, with detail and precision, Forsyth weaves a tale of terrorism and world events into a fast-paced and energetic read in ЃgThe AfghanЃh. The setting is post 9/11, and though the book was published in 2006, there is no lack of timeliness and punch.
I very much enjoyed the weaving of recent history into the narrative, and the ability of Forsyth to write as if these events had just been reported on the radio. That style of freshness and immediacy with writing is somehting I much enjoy.
This was one of the books that has lasted on my Ѓeto read shelfЃf for far too long. I had saved this book by one of the masters of the genre for a time when I was really in need of an international epic type read. ЃgThe AfghanЃh did not disappoint.
In ForsythЃfs latest novel, British and American intelligence forces learn of an impending al-Qaeda terrorist strike. However, they donЃft know exactly when or where the strike will take place. Their solution: to have one of their own officers infiltrate the terrorist group, posing as one of its own. ItЃfs an inventive story, and Forsyth spins it eloquently and with enough nail-biting suspense to leave readersЃf fingertips raw. One of the masters of the political thriller, Forsythwrites with a bare-bones, reportorial style that makes his stories feel as realistic as anything one might read in the daily newspaper. He set the standard for political thrillers with 1971ЃЊs Day of the Jackal, and, although he has myriad competitors today, no one else has managed to make the very flatness of the documentarianЃfs style an effective instrument for generating tension.
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